Interference in the form of restoration could disrupt the modeling details preserved on the surface of the mold. In the case of advanced damage states, using traditional conservation methods, such as filling in minor surface defects, seems complicated and questionable based on the expected results. The preservation state of a mold determines the techniques that can be used for reconstruction. Due to a lack of access to suitable methods that do not threaten the original matter, museums often decide to wait for an appropriate solution to appear before taking action. This is especially true of abandoned and neglected objects, particularly plaster molds. Many objects in the world provide representations of old manufacturing processes, and thus conditions of these artifacts are deteriorating yearly. We also believe that our use case could be transferred to a broader group of objects that use molding in their production processes. Our estimates show that combining both techniques (traditional and digital) saved approximately 25% of the time that would have been used if the individual techniques had been used separately. From the point of view of museum visitors, the copies are made with sufficient detail that they are indistinguishable from handmade artifacts. This process also enabled us to create educational materials for the Koło museum about old manufacturing technologies. This process took comparatively less time and produced a more realistic result than would have been observed if only 3D software had been used. Finally, the printed fragments were corrected using traditional techniques performed by art conservators. These 3D models were optimized for 3D printing technology and were used to manufacture the mold. Later, we integrated all mold fragments into front and back 3D models. Then, we applied 3D scanning technology using the structured light method. We began with a preservation state evaluation that included a technical analysis of the degradation state of the mold. The entire process involves understanding old manufacturing technology, conservation supervision, and state-of-the-art 3D scanning, data processing, and 3D printing technologies. Our process starts with partially degraded mold fragments and ends with an actual copy of the Venus figurine in three forms: faience kilned to bisque, porcelain, and glazed faience. Moreover, none of the Venus figurines in this collection have been preserved to the present day. PO Box, APO/FPO, Afghanistan, Alaska/Hawaii, Albania, Algeria, American Samoa, Andorra, Angola, Anguilla, Antigua and Barbuda, Armenia, Aruba, Austria, Azerbaijan Republic, Bahamas, Bangladesh, Barbados, Belarus, Belgium, Belize, Benin, Bermuda, Bhutan, Bosnia and Herzegovina, Botswana, British Virgin Islands, Brunei Darussalam, Bulgaria, Burkina Faso, Burundi, Cambodia, Cameroon, Cape Verde Islands, Cayman Islands, Central African Republic, Chad, China, Comoros, Cook Islands, Costa Rica, Cyprus, Czech Republic, Côte d'Ivoire (Ivory Coast), Democratic Republic of the Congo, Djibouti, Dominica, Dominican Republic, Egypt, El Salvador, Equatorial Guinea, Eritrea, Estonia, Ethiopia, Falkland Islands (Islas Malvinas), Fiji, Finland, French Polynesia, Gabon Republic, Gambia, Georgia, Ghana, Gibraltar, Greece, Greenland, Grenada, Guadeloupe, Guam, Guatemala, Guernsey, Guinea, Guinea-Bissau, Haiti, Honduras, Hungary, Iceland, India, Indonesia, Iraq, Ireland, Israel, Jamaica, Jersey, Kazakhstan, Kenya, Kiribati, Kyrgyzstan, Laos, Latvia, Lebanon, Lesotho, Liberia, Libya, Liechtenstein, Lithuania, Luxembourg, Macau, Macedonia, Madagascar, Malawi, Maldives, Mali, Malta, Marshall Islands, Martinique, Mauritania, Mauritius, Mayotte, Mexico, Micronesia, Moldova, Monaco, Mongolia, Montenegro, Montserrat, Morocco, Mozambique, Namibia, Nauru, Netherlands, Netherlands Antilles, New Caledonia, Nicaragua, Niger, Nigeria, Niue, Oman, Pakistan, Palau, Panama, Papua New Guinea, Philippines, Poland, Portugal, Puerto Rico, Qatar, Republic of Croatia, Republic of the Congo, Reunion, Romania, Russian Federation, Rwanda, Saint Helena, Saint Kitts-Nevis, Saint Lucia, Saint Pierre and Miquelon, Saint Vincent and the Grenadines, San Marino, Senegal, Serbia, Seychelles, Sierra Leone, Slovakia, Slovenia, Solomon Islands, Somalia, South Africa, Sri Lanka, Svalbard and Jan Mayen, Sweden, Taiwan, Tajikistan, Tanzania, Thailand, Togo, Tonga, Trinidad and Tobago, Tunisia, Turkmenistan, Turks and Caicos Islands, Tuvalu, US Protectorates, Uganda, Ukraine, United Kingdom, Uzbekistan, Vanuatu, Vatican City State, Vietnam, Virgin Islands (U.S.In this paper, we propose a method for creating a ceramic Venus figurine replica from a mold in the Museum of Ceramic Techniques collection in Koło, Poland stored at the museum for many years.
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